Matthew Gallaway's The Metropolis Case
This book tells the story of four individuals who are all connected by their love of opera (and by other things that are REALLY EASY to figure out, and also GROSS at one point): two women singers in more-or-less present times, and two gay men, one in 1800s Europe and one in NYC right around 9/11. I was much more interested in the women's stories at first, and the men's were only occasionally compelling (I did get teary at one part involving a cat), but it all led up to an absolutely stupid and predictable ending. It's like Gallaway wanted to write his own version of something like Mark Helprin's Winter's Tale, but I don't think he succeeded at all. This book was super annoying. C.
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